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Friday, January 18

english as a second language

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V/A
The Streets of Bollywood and Beyond
“As BOLLYWOOD, and its diverse music becomes increasingly acknowledged and accepted all over the world, so does the desire of adventurous musicians, DJs, producers, re-mixers etc. to experiment with the music. In STREETS OF BOLLYWOOD, some of the popular film music and folk music forms of India are remixed with a street-wise, Hip-Hop edge. It showcases productions by young talent, as well as stalwarts like A.R.Rahman, and the legendary late great Nusrat Fatehali Khan.”~(Times Square Records) I was surprised to hear most songs in English.
comments / tracks of interest:
#1: riveting rhythm w/ synth help
#2: traditional song embraced by modern beats
#4: subtle drum-n-bass elemented with raps
#6: reggae raps
#7: rap
#11: spoken poetry/rap to beats
#13: interesting mix of Sufi music & rhythms


Ayo
Joyful
: “AYO is a German born artist, the offspring of a Nigerian father who had come to Germany to study in the 1970s, and sometimes worked as a DJ, and a mother who is a gypsy. AYOs rather unusual name means joy in Yoruba. Her rich cultural background is also reflected in her musical influences. She grew up amidst Pink Floyd and Fela Kuti, the Soul Children and Bob Marley, and many others.”~(MeTiX) She sounds gently strong in her voice and carefully composes, both musically and lyrically. Singing songs in English she tells of life, love, or love lost. Ultimately, I appreciate her honest simplicity.
comments / tracks of interest:
#’s 2, 4, 6, 9, 11, & 12 are slow tempo
#1: reggae step w/ acoustic guitar & hand drums
#3: harmonica twang, in beginning
#5: begins slow, transforms into flamenco-like guitar style
#7: slower reggae step
#8: reggae influence, “help is coming”
#10: rowing instrumentation, “life is real”
#11: w/ violins

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Friday, January 11

just one today

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Da Cruz

Nova Estacao EP 1 & 2

Review: Nova Estacao is a release in the “Emerging Artists” series, put together by 6 degrees to expose new artists asap. Da Cruz is a team highlighted by Brazilian vocalist Mariana Da Cruz and Swiss producer Ane H. The result of this teamwork is a kind of Brazilian pop that has some new elements but is heavily reliant on standard Latin American fare.” An electronic offering of Brazilian pop.

comments / tracks of interest:

#!: intro featuring Sao Jorge

#2: smooth flow w/ swank bass lines

#3: slow tempo w/ vocals, acoustic guitar & trumpet

#4: samba-able

#7: by Jorge Ben Jor

#8: full sound with berimbau breakdown

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Saturday, January 5

African Influences

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CAbP (Chicago Afrobeat Project)
(A) Move to Silent Unrest
Finding influences in funk, rock, jazz, Afro-Cuban, highlife, and juju music, CAbP’s delivery resonates as a high energy experimentally rockin’ jazz. “Melodic and hard-hitting horn lines create a lyrical flow to the music, delivered by a cutting, driven rhythm section dynamic. Complex call-and-response percussion songs are dispersed throughout the performances. At select shows, African dancers from Chicago’s Muntu Dance Theatre accompany the band.” All but one track is instrumental.
comments / tracks of interest:
#1: is a smooth introduction piece
#2: has bounce
#3: vocals “spread indigenous news”
#6: segways to a clapping section
#7: a lively finale


Ladysmith Black Mambazo
Ilembe: Honoring Shaka Zulu
In a dream, Joseph Shabala was inspired when he heard isicathamiya harmonies (traditional gentle cappella singing styles of South African Zulus), and formed LBM. The group gained world wide notoriety after performing with Paul Simon on his album Graceland. In their latest release Ilembe (“the greatest warrior”), the band sings a tribute to the great leader, Shaka Zulu.
comments / tracks of interest:
#1: working together for a greater good
#4: rise above squabbles to accomplish things
#5: consult with elders in order to be wise
#9: teach the young ones to take good care
#10: stay w/ people who will keep you on the right path
#11: bridges the Zulu and Christian traditions
#12: beginning has atmospheric sounds from wind or water

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