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Tuesday, December 29

Cathi's CD Reviews 12-29-09

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Bailey, Ray – “Resurrection” (Tondef) B

Promising bluesman who hit in the early nineties in L.A., ran afoul of family problems and quit music, still keeping fingers in the club scene there. This is his first disc to re-establish himself, recorded live at an LA club. A little gymnastic on the guitar just to prove he can though when he isn’t grand-standing, he has a good feel for guitar phrasing. Nice vocals, six originals--extended solos make most songs difficult for radio—better for drinkin’ bar. Some tunes have more up to 2 minutes of instrumental before he starts singing.

Flying Saucers – “Blue..Bluer..Bluest” (Lyracon)

White..whiter…whitest. Not recommended.

Gillam, Tom – “Had Enough?” (Smith Entertainment)

Austin singer-songwriter going for the Americana spot. To me it sounds like medium rock and nothing sticks out as compelling. Not recommended.

Hovey, Erick – “Blues Farm” (Independent) B

Midwestern (Iowan) songwriter with the sense to keep the arrangements spare enough to accent the words of his tunes. Good guitar accents over kind of plain songs (largely the same beat) and adequate, but plain, vocals. OK, and this disc (who puts out two at a time?), despite coming at you with more of a blues feel, and better songs, still seems very same-ish.

Hovey, Eric – “Recycled Souls” (Independent) B-

Midwestern (Iowan) songwriter with the sense to keep the arrangements spare enough to accent the words of his tunes. Good guitar accents over kind of plain songs (largely the same beat) and adequate, but plain, vocals. OK, but no real cigar.

Hughes, Eric – “Live on Beale Street” (Indie) B

Live from the Rum Boogie on Beale Street, Hughes throws the mojo on dance music for the crowd. Old timers all over the stage, it’s clear they are having a good time and have done this before. Lady bass player notable. Nice recording from the dressing room up above. A blues bar band concentrating on up tempo entertainment. Guitarist has a nice style—best part of the group. Good road band.

Kayoss, Earl – “Disarray” (Shut Eye Records)

Thin vocals over strange (not in a good way) tunes. Records a horse neighing to start the second song; liner notes than someone for resurrecting “Satan’s guitar.” Not recommended.

Loomis, Hamilton – “Live in England” (Ham-Bone Records) B+

Young Texan with a wicked handle on guitar—billed as pulling together rock and soul under a strong blue banner, there’s no doubt he knows what he’s doin’. Bo Diddley described him at age 16: “You got to put some seasonin’ in what you’re doing and this boy has the whole salt shaker.” A handful of records after that (usually on the more rock-ish Blind Pig label) have definitely established him as pushing the blues envelope—mostly in the rock direction. In December when everyone was tossing out live discs for Christmas, Loomis pulls in horns, lots of funk a performance by Bo Diddley himself and some cool harp he plays as well. Loomis writes a lot of his stuff and here throws in favorites from former releases to an avid audience.

The Mystix – “Down to the Shore” (Mystix Eyes Records) B-

Booty kickin’ rhythm section from Duke Robillard backing group with a singer whose voice sounds like somebody sliced it up with a razor or he just finished his 2 billionth cigarette-and-whiskey. A variety of interesting tunes, country, back-beat shuffle, one with a New Orleans feel. A combination of too rough, too shakey, but Bob-Dylan
compelling.

Slim Fatz – “Times Like This” (Aladdin Entertainment)

Not recommended at times like this.

Smilin’ Bobby and the Hidden Charms – “Big Legged Woman” (Wolf) A-

Bobby Smith (69 years old) has been playing Chicago clubs since the ‘50s and calls himself a good friend of Magic Sam’s. His son played guitar with Willie Kent and Bobby is billed as the “favorite unknown bluesman in Chicago.”
I’m increasingly skeptical about these “suddenly emerging” old blues guys from Chicago, but this is the real deal. Scott Dirks talks about Bobby’s years of getting strange gigs in unknown Polish clubs with terrible backup musicians, but he “didn’t need” the big clubs because he was playing more gigs than anyone uptown. Nevertheless blues hound Dirks books him in front of a good band now and then and he knocks people down with his soulful guitar and great vocals. I’m sold. Plays some old covers to start the disc, but then puts in some he wrote.

The Villains – “The Villains” (Dan Call Music) B-

Melodic rock and roll – Jackson Browne approach. Nice vocals, mainstream pop-y instrumentation, with accompanying harmonies. Lots of medium beat tunes with corny lyrics (“Drownin’ in a river of love…”; “we’ll drink Mohitos with our toes in the sand.”) You get the picture.

2 Comments:

At Tue Jan 05, 12:19:00 AM, Blogger earlkayoss said...

Americana Radio Report #3
Report Date: Monday, November 30, 2009
Artist: Earl Kayoss
Album Title: Disarray
Adds/Impact Date: November 9, 2009

Notes:
Disarray will debut on the AMA Americana Terrestrial Chart next week.

The Charts this Week:

• AMA Americana Internet Radio Airplay Chart
#158 of 533 on November 23, 2009. http://www.americanaradio.org - 42 total documented spins to date on this chart. 23 spins this week. “Disarray” was tied for Top Adds this week on this chart. This means Disarray was one #5 most added records to the 40 internet radio stations that report playlists to this chart on this particular week. “Disarray” tied with records by the new albums by Chris Scruggs, Tom Russell, Bob Dylan, Kris Kristofferson, Brandi Carlile, Geoff Maulder, Avett Brothers, Caroline Herring, John Amos, Wrinkle Neck Mules, Grant Lee Phillips, Leonard Cohen, Michele Shocked, Guy Clark, Blue Mother Tupelo, Danny Barnes, Cracker, Chip Taylor, and more. Excellent continued upward movement this week.

• Mike Pinard, c/o ISA, FRANCE – is spinning songs(1,2,6,8)

• WMSR (Auburn, AL) – www.wildmansteveradio.com – NEW ADD! #74 of 79 on their playlist with 2 spins this week. Expect more spins next week.

• Radio Free Americana (VA) – www.radiofreeamericana.com – #37 of 99 on this station’s playlist with 21 official spins this week.

Americana Radio Report #4
Report Date: Monday, December 7, 2009
Artist: Earl Kayoss
Album Title: Disarray
Adds/Impact Date: November 9, 2009

Notes:
New chart positions this week on AMA Terrestrial and Roots Music Report - Roots Rock Chart. Significant chart position increase at Roots Music Report – NY chart.

The Charts this Week:

• Roots Music Report – Roots Rock Report
Earl Kayoss debuted on this chart at #44 of 50 on Friday, December 4, 2009. http://www.rootsmusicreport.com/index.php?page=charts&name=altcountry

• Roots Music Report – NY State Chart
Earl Kayoss his #12 of 76 on Friday, December 4, 2009. http://www.rootsmusicreport.com/index.php?page=statechart&state=NY

• AMA Americana Internet Radio Airplay Chart
#127 of 534 on November 30, 2009. http://www.americanaradio.org - 71 total documented spins to date on this chart. 29 spins this week. “Disarray” was again tied for #5 Most Added record this week on this chart. This means Disarray was one #5 most added records to the 40 internet radio stations that report playlists to this chart on this particular week. “Disarray” tied with records by the new albums by Chris Scruggs, Bob Dylan, Cory Chisel and the Wandering Sons, Lou Barlow, Loudon Wainright III, Avett Brothers, Carrie Rodriguez, Corb Lund, Johnny Rivers, Brian Setzer Orch, Mindy Smith, Elvis Perkins, and more. More excellent continued upward movement this week.

• AMA Americana Terrestrial Radio Airplay Chart
#558 of 621 on November 30, 2009. http://www.americanaradio.org - 1 total documented spins to date on this chart. 1 spins this week. “Horses” was the most spun track from Disarray this week.

 
At Mon Jan 11, 11:25:00 PM, Blogger earlkayoss said...

let's do a review of Cathi's vagina....

1) it smells really bad
2) she must have had her head up her vagina instead of actually listening to the music
3) she wouldn't know good music, if it bit her in her smelly vagina.

 

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Saturday, December 26

Cathi's CD Reviews 12-26-09

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Evans, John – “Lollygaggin’” (Image Entertainment) B+

Texas Americana rockabilly—lots of Webb Wilder feel with steel guitar and bristling with 2-step beats. Real country pickin’ humor and sardonic gig descriptions, fast cars, booze, and cat-call comments in the middle of lyrics, etc. Must be super entertaining live. Most songs are Evans’ originals—lyrics have lots of “furniture” and are entertaining. Young Texan with lots of juice.

Full Moon Review – “One Last Shot” (Indie) C+

Old timers pulling together to put their skills in on “one last shot.” Sort of rock light – maybe a folky touch too. Instrumentation is ok, but even though there are some manful harmony efforts, the singing is not too evocative. Old fashioned rock-ish guitar overlaid. Not really recommended, although as an ancient player myself, I really WANT it to be.

Grissom, David – “10,000 Feet” (Wide Lode Records) A

Always a pleasure to hear tasty guitar and Dave’s is always SMOKIN’ as well as tasty. Though he’s best known for touring with Joe Ely and a gigantic bundle of stars, Dave always could write and sing, and the GUITAR…sizzle. Here he applies himself to 12 new originals…mostly his trademark rockin’ style and you can hear old friend Kenny Aronoff pounding out the drums in the back on many of the tunes (taking turns with Chris Layton). Still it’s his lyrical and melodic sense, and that killer sense of rhythm that elevates him to a triple threat…and he sings. Dang. Like it that he’s stepping out front…he’s hard to ignore no matter where he stands.

Guthrie, Sarah Lee (‘n Family) – “Go Waggaloo” (Smithsonian Folkways) A-

Charming songstress granddaughter of Woody Guthrie puts her songwriting to excellent use in writing 13 songs for her kids (with husband Jeremy Iron). Many friends assist…Arlo Guthrie, Pete Seeger, help out. Subject matter aside, the harmonies and lilting vocals have a charm all their own, and you can hear the children on the chorus of some of the songs. What a pleasing surprise; you can easily imagine her writing these for the love of her kids, and the joy of the family in joining in to record them. Hammer dulcimer and banjo touches are cool accents.

Kristopherson, Kris – “Starlight and Stone” (New West) B

Old dawg songwriter pulls out his guitar and pens some more great tunes…then with Don Was, Stephen Bruton and drummer Kim Keltner (whew what backup!)..kept all the music spare and straight from the gut. Kristopherson is beginning to lose what vocals he used to have, but he’s lost nothing in the songwriting, and any time you spotlight that, you’ve got a handful. Backup musicians never step on the powerfulness of his songwriting. Recorded pretty much live and straight up, much of the vocals are almost spoken, but Kristopherson – at 73 years—still packs a rough punch.

Lund, Corb – “Losin’Lately Gambler” (New West) B+

Cowboy Americana…stories about ridin’ rodeo, gamblin’ in rough bars and throwin’ down with tinges of rockabilly guitar. Songwriting is colorful and inventive…don’t remember hearing any real good cowboy country for awhile.
This disc pulls you into the saddle all the way. Cool perspective…cool beer and bluejean jacket…woodstove, snow, prairie and steers. Yehaw.

McMurtry, James – “Live in Europe” (Lightning Rod Records) B

Songsmith extraordinare hits Europe with a rock band and those killer lyrics. Sadly his casual tossin’ in of curse words eliminate radio play for a few tunes, and the sardonic remainders are perched on a bed of rock instrumentalization. I’m not sure this showcases his fine writing in best fashion, but it works for the audience. Still some of his great tunes (#5-6) stand alone and shine no matter how much he drinks (heh heh). And then again, when he rocks it (#7) chairs fall back.

Montoya, Coco – “The Essential Coco Montoya” (Blind Pig) B+

A collection of early Montoya (just before he got so well known). Delivered with stinging guitar and a serious overlay of rock. I appreciate the emotive slow ones (what can I tell you?) that really set up his guitar solos
(#4, 7, 10 ), but rock-blues is definitely his bag. Saves himself from the total-rock bin with a nice rollin’ blues (#12).

Murphy, Willie – “A Shot of Love in A Time of Need (Red House) B-

Jump in the way-back machine and you’ll Find Willie Murphy snappin his fingers in the “beat” generation, playing psychedelic music and doing a LOT of drugs in the 60’s while writing some songs with Spider John Koerner and catching the ’69 Newport Festival before producing Bonnie Raitt’s first album in ’71 and then doing a lot of solo work and producing for the next 15 or so years. Here he comes out with a 2-cd collection of R & B (his favorite stuff). Backed with big horns, he delivers funk and soul with about 30 years of grit behind it. He’s got his soul in the pocket and the funky gets WAY funky. Crusty but unapologetic, which sometimes yields what can be some wobbly vocals, and sometimes some FCC cussin (#3). Still, he’s had the goods, spread ‘em around there and back, and still knows how to funky. CD #1 mostly funky, CD #2 is a collection of personal perspective ditties of the rock, pop, ballad and singer-songwriter persuasion—less appealing in my view. This collection, probably like this ol’ musician’s career – has real high- and low-spots.

Young, Zora – “The French Connection” (Delmark) B+

Zora, Big Time Sarah and Bonnie Lee hit Europe in the early ‘80’s and caused a big splash. Zora hit it especially big in France, where two young musician producers were eager to do a record of half acoustic, half electric tunes. Zora really shines on the acoustic ones here (check out the Muddy cover # 5!). Maturity in the blues brings out some very cool vocals with Muddy touches, she does some excellent Koko, and I love the acoustic stuff where her vocals shine in a variety of ways (her band tunes are punchy belters for the most part). There are five live tunes to give you the audience feel to her presentation (#3, 5, 11-12, and 14). She adds some interesting departures with Dylan covers, a gospel touch (#7) and even Elvis! (#9). A better disc than I’ve heard from Zora in a bundle of years.

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Tuesday, December 8

Cathi's CD Reviews 12-8-09

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Benoit, Paul – “Bluebird” (Indie) B

Seattle songwriter offers a collection of laid-back acoustic music after a trip to the slower paced El Salvado. Well, actually he recorded them in a little fishing village there, so what you get is a spare sound with minimal backup, yet songs offer a variety of mellow, reflective songs, laced with harmonies and lazy, melodic, fingerstyle, acoustic guitar. Nice afternoon porch music.

Davis, Debbie – “Holdin’ Court” (VizzTone) B

Wow…rough-tough sailor girl, Debbie Davis, 22-year veteran of playing blues guitar with the big boys, pulls a whole album of instrumentals out of her pocket. I always loved her playing best of her charms. Here she trots it out in a variety of styles, homages to some favorite players, while dishin’ up seven of her own compositions. Nice spare back up band featuring a kickin’ lady bass player (Cassandra Faulconer), drummer ( Don Catagno), and sometimes a little organ (Paul Opalach). Nice job. Some tunes are a bit uptempo for morning mix, but this is good listening stuff, and her playing is expressive.

Elliott, Grampa – “Sugar Sweet” (Timeless Media dba “Playin’ for Change”) A+

First made famous by world-wide acclaim of his singing of “Stand By Me” in a Youtube video, this older New Orleans/French Quarter, street musician is rolling like a sweet rain over the countryside with mellow, soulful tunes. It’s plain hard to resist the good feeling this guy and his music offers up. Nothin’ to prove; just lovin’ this new wrinkle on an already full life. A variety of great musicians come together to support him…calling themselves the “Playin’ for Change Band”—even Keb Mo gets in on the act. This is one COOL album. All mixes.

Rafael, Joel – “Songs of Woody Guthrie, Vol 1 & 2 (Inside Recordings) A

A long time student and lover of Woody Guthrie music, Joel Rafael spent years playing the same routes and areas Woody traveled, regularly performed in his native Oklahoma and California and is a regular at the annual Woody Guthrie festivals. So intense is his dedication to the spirit and interpretation of Woody’s “soul’ music, that Woody’s daughter sent him lyrics by Woody that were never set to music…now done so by Rafael, with assists by friends (Jackson Browne, the Burns Sisters, Arlo Guthrie, Jimmy LaFave, Jennifer Warnes, etc.) All in addition to Rafael’s quiet interpretations of many of Woody’s originals. This really is a special collection and a labor of love. Most songs are mid-tempo and sparcely delivered. Recommended for all mixes.

The Unwanted – “Music from the Atlantic Fringe” (Compass Records) A++

Three masters of the “lunatic fringe” of music – all real experts on their instruments and fools for Celtic and Appalacian music. Together they deliver the most wonderful “mountain-Celtic” sound…brilliant work. Mind blowing…what else can I say. EXCELLENT in just every respect…the best I’ve heard here. Instrumentalism is great and all vocals on the mark. What a nice surprise to the day.

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