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Sunday, February 21

Cathi's CD Reviews 2-21-2010

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Beachboys – “Summer Love Songs” (Capitol) B+

I think the Beach Boys will not be allowed to die, if Capitol Records has anything to say about it. This is a remastered disc of old favorite Beachboy love songs. It’s nice for the old hippies like me to take a walk down surfin’ lane, but who know what today’s youngsters will think about it. A nice retrospective, although it left me hankering for “Little Deuce Coupe.” Nice for morning mix too. Oldies.

Bibb, Eric – “Booker’s Guitar” (Telarc) A

While in Europe on tour troubadour and soulful guitarist/singer/songwriter Eric Bibb met a man who offered to let him play the resonator guitar used by Booker White. Thrilled, Bibb played the guitar used by one of his main musical inspirations. Inspired, he immediately sat down to play and write. Bringing songs and inspiration home with him (though he had to leave the guitar), he teamed up with Grant Dermody, harmonica player extraordinaire from Seattle, and together, they completed this disc, dedicated to Bibb’s inspiration, calling it “Booker’s Guitar.” All songs are wonderfully crafted and suitable for all mixes. I’m delighted to hear such soulful renditions of both traditional and new favorites. Dermody’s harp work perfectly complements and fills when they are needed, and Bibb’s always-warm vocals and excellent guitar make this a fine tribute. Highly recommended.

Kansas City Blues Band – “Danger Zone” (Serenity Hill Records) B

Thirty-five years into playing, old friends get together to play a few old favorite blues songs (a genre not too frequently used in their separate 35-year-musical-travels). As a result you’ve got some serviceable playing, singing just on the other side of “been-there-done-that-and-lost-the-teeshirt”). This is what you get when some clown secretly tapes a basement get together (ironic label name). They’re playing nice, but without the hormones. Okay, but don’t let B.B. King retire yet.

Mischo, R.J. – “Knowledge You Can’t Get In College” (Greasland Rec.) B+

Ten CDs in, Mischo still demonstrates some good vocals and harp work that relies a bit too much on distortion for my taste, but he knows his way around. He pulls in some great assists here from Rusty Zinn on killer guitar, Kid Anderson on the solos Zinn doesn’t cover, Kedar Roy (infamously good stand up blues bass player) and other usual suspects, to deliver a pretty good disc. Mischo has the creds, but never quite seemed to cut through to the top shelf of blues harp and band-leading fame. Made a big name for himself in Minneapolis and then moved to the West Coast where he’s perculating along, but never really boilin’ over. Nice beat change-ups, some spots of greatness.

Moreland & Arbuckle – “Flood” (Telarc) C

One guy into the blues; one guy into electric rock and distortion, one guy poundin’ hard on drums, and these three turn a “power trio” into some pretty bashy, unintelligible rock blues. They bill themselves as very popular as a road-trio, but I’m not feelin’ the love. Not recommended.

Schmit, Timothy B. – “Expando” (UMG Recordings) B-

There are very few folks who can fill out a harmony vocal stack like Timmy Schmit (bass player for the Eagles), but as a lead singer/songwriter he is less adept. He writes pop-rock type tunes that are not bad, but not that noteworthy. As he himself describes in “Sacramento” he “isn’t particularly funky” but leans toward a breathy and melancholy vocal delivery. He does best work as part of a group of singers, as in # 2, where he joins with Graham Nash (among others) to sing great backup. His “Secular Praise” tune is possibly the best on the disc where he is backed up by the Blind Boys of Mississippi. In fact he’s gathered a roster of big names to help on this disc (Jim Keltner, Vandyke Parks, Keb Mo, Kenny Wayne Sheppard, etc.). The result is a Sunday afternoon kind of listening experience. Love that voice, but can’t highly recommend this one.

Tucker, Will – “Stealin’ the Soul” (Will Tucker Music) B-

Sixteen-year-old Blues guitarist—musically very adept, but weaned on SRV and Jimi Hendrix. Lots of wah-wah, baby vocals…big-ass potential on that guitar. Does some SERIOUSLY tired covers. Oh what 20 years is gonna do to those thin, but adept vocals! Plays regularly at BB’s in Memphis, but I think it’s because of guitar prototechnics, not blues soul. I have high hopes for this youngster, but this CD is more of a starter kit…Jeez he does Elvis too!

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Sunday, February 7

Cathi's CD Reviews 2-7-2010

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Pittman, Shawn – “Undeniable” (Indie) B

Adept Oklahoma-born, Texas-adopted (pianist) guitarist who moved in the footsteps of the Vaughans and the Dallas gtr scene…before (like so many others) moving to Austin and picking up with Tommy Shannon and Chris Layton (from SRV’s Double Trouble band). He’s put out several guitar discs that feature his songwriting and very Texas-sounding blues. Very good musicianship, vocals and presentation--nothing flashy. Nicely mixed by engineer maestro Stuart Sullivan. A good record but maybe not something that’ll knock you out.

(Robillard, Duke & Sunny Crownover-“Welcome to the Tiki Lounge” (Blue Duchess Rec.) A-

Duke has had some fun over the years, doing all styles of guitar records, leaning heavily on his favorite swing/jazz approach. Here he continues that adventure by teaming up with vocalist Sunny Crownover to do a Les Paul/Mary Ford tribute. He pulls off the Les Paul stuff with some eerily reminiscent quick stop licks and long string-stretches and Sunny’s smooth vocals are a nice complement. The Tiki Lounge approach allows for the Hawaiian torch song/lounge feel—so reminiscent of Les Paul’s and Mary Ford’s sound. Sunny’s voice usually mixed behind guitar, but overall, this is a nice tribute album. I don’t remember ever hearing a Les Paul/Mary Ford tribute quite so spot-on…a definite “era” piece. All good for all mixes.

Superchikan – “Chickadelic” (Bluestown Records) B+

Showman (James Louis Johnson) Superchikan loves to entertain and they LOVE him in Norway where backed by some blues lovin’ players there he recorded this disc. Musicianship is very cool and Superchikan’s fun is clear in the uptempo tunes – like his Bo-Diddley lift “Hey Superchikan.” And of course you can’t ignore his flattened-gas-can-guitars (“chiktars”). This disc is nominated for Best Traditional Blues Album of the Year, and “Fred’s Dollar Store” for best Song of Year. Nice collection of up-feelin’ blues.

Taildragger – “Rooster’s Lounge” (Delmark Records) B-

(James Yancy Jones) Taildragger’s picture is in the dictionary right next to relentless blues snake charmer. The only reason he’s not dead from alcohol is because so much of it passes through his bod so fast it has no time to kill him. The only reason his CDs are live is because he’s got so many mad girlfriends after him it’s dangerous to show up in the same place more than two days in a row. Yet this kinda scamp still knocks ‘em over every night with the raw blues. He’s a blues ride that requires two hands to hold on, (and if you’re a young woman, don’t su)it in the front row), but it’s hard to not to fall into the groove at Taildragger shows. He loves the blues and he SURE doesn’t shy away from entertainment; talks a lot and more as the show rolls on as this disc reveals (watch out for expletives); and his band remains loyal and road dawgs every one—who ain’t afraid to hold a reeeel slow beat strong and steady. It ain’t pretty, but it’s gritty, real, “lit up” blues – straight out of the Howlin’ Wolf bag. Makes me start reachin’ for the Jack Daniels.

Various – “Boogie Woogie Kings” (Delmark) A-

Boogie woogie blues legends are featured here from the late ‘30s – Meade Lux Lewis, Albert Ammons, Pete Johnson, Clarence Lofton, Speckled Red, and Henry Brown. A cool array of traditional blues piano with the combo of varrelhouse boogie, swing and drive. Most are from ’39 Sherman Hotel recordings in Chicago and then classics from St. Louis Players in the 50’s-60’s (Henry Brown, Speckled Red). An era rife with great players…miss them. Good for all mixes.

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